"Rise to every challenge with dignity and fervour, as though in your final moment."
Age: Early Thirties
Gender: Male
Race: Yagyu (Northern)
Class: Shogun
Title: Touitsu-ou
Equipment:
  Masayume · Katana [?]
  Handan · Wakizashi [?]
  Kwan-chi · Kwan-tao [?]
Proficiencies:
  Aozora-no-Ryu · Martial [?]
  Tsukamutedo · Martial [?]
  Poetry · Artistic
  Calligraphy · Artistic
  Cooking · Domestic
Relations:
  Hayabusa · Adopted Daughter
  Motoko · Cousin

Hidoshi NobunagaCharacter Study:

Generally a mild-tempered man, Hidoshi has only rarely been given to anger. He believes strongly in his destiny and is utterly confidant as a leader. At the same time, he tends to be romantic and idyllic about his goals. When he isn't planning strategy, he is often found meditating at the Byakuren temple of Taiyoushin, or listening to the koto (Yagyu zither) at the White Horse Pagoda near his home in the Setsuzoku capitol of Gozan.

 

Historical Synopsis:

At an early age, Hidoshi found himself a member of the Setsuzoku shogunate's waka-doshiyori (lesser nobles), inheriting the position and power his father had previously occupied. His father, then having become a shugenja (mountain ascetic), renounced the world and left his son in his place. Hidoshi wasn't without his means though, already a man of 18 years and able with both sword and pen. Perhaps more importantly, he was possessed of effeminate features and great charisma, instantly granting him unspoken authority1 and favour among his peers.

When war broke out in the Nordelands, Hidoshi was the first selected to aid the kingdom of St. Laurent. The shogunate had maintained friendly terms with St. Laurent and regularly engaged in trade. In liu of Setsuzoku interests, it was agreed that every effort was to be made in aiding St. Laurent. With an army of 3000 (250 of which were cavalry), Hidoshi therefore found himself in the midst of war, an envoy to the Nordelands.

The war had already lasted several months between a despotic force called the Kriegbesonnenheit (Krieg) and the rest of the Nordec kingdoms. Many lands had fallen to the Krieg previous to their attack on St. Laurent, but at that time the assault had been stymied. St. Laurent, under the protection of the deities the Tirade and the Etoh, and with the help of the Setsuzoku, repelled the Krieg and won the day.

It took four months hence for the fighting to end, and when it was over, Hidoshi returned home to tragic news. The shogun of Setsuzoku, Miyabi, had died while Hidoshi was away. With no heir to succeed the late shogun, there was absolute chaos as to where power would lie. Most of the roju (greater nobles) were ready to war with each other over the matter. Seeing such barbaric disunity, Hidoshi ordered the entire roju killed, an act which automatically promoted him to de facto prime authority, as he already controlled the waka-doshiyori and all lower ranks.

Having seen what disunity had done to the Nordelands, Hidoshi embarked upon a quest to unify the Yagyu shogunates, a task which he knew might cost him his life. At that time, hidoshi was already in his thirties and respected throughout Yagyu. Several lords from neighbouring shogunates came to join his cause. His adopted daughter Hayabusa was sent to the Nordelands to establish firm relations with nations other than St. Laurent. He then appointed his cousin Motoko as field marshal, and began a military campaign the likes of which Yagyu had never before seen.

In this time, when Yagyu's fate was again being forged by the sword, that Hidoshi came to know of a man named Hyun Kwon. Kwon and his government had declared independence from Yagyu entirely, forming their own nation of Sosurim. They had the unanimous support of the people in that region, and weren't willing to compromise in any way, shape, or form. Knowing Kwon to be a driven man like himself, Hidoshi spurred his campaign onwards, all Yagyu in his sights. Be it his head or Kwon's, the time had come to meet his destiny.

1 Since Yagyu was and still is highly matriarchal, womanly facial features are considered a sign of strength.

 

Regarding Weapons/Proficiencies:

Masayume · Katana

Masayume is a katana designed by the Osafune clan, woven one hundred and twenty times and crafted from pure steel. The sword has been reinforced with magical properties by means of Byakuren rituals. As such, the sword has been imbued with animistic properties, and has certain enhanced properties, including that the blade is virtually impervious to chipping, snapping, or outright breaking. It can still be blunted from overuse, but any actual damage is automatically repaired by means of the spiritual energy contained within its body.

Handan · Wakizashi

The Handan wakizashi is of fairly ordinary make and is used primarily in combination with the Aozora-no-Ryu tendon-cutting techniques.

Kwan Chi · Kwan-tao

The Kwan Chi originally came from Chi'en, and was given to Hidoshi as a gift by one of his father's esteemed guests. Similar to a naginata, the Kwan Chi is comprised of a five foot staff, and a one-foot long curved blade at its end. All kwan-tao weapons follow this make, and it is upon this design that the Naginata is based. In terms of weight, the Kwan Chi is incredibly heavy at 13.6kgs (30lbs) and must be wielded at all times with two hands. The blade is fairly broad and features a second, smaller tooth on the inner curve for catching enemy blades. The blade is decorated with a steel dragon outcropping, the staff painted a deep red.

Aozora-no-Ryu

Aozora-no-Ryu is a style which finds its origins in traditional Nobunaga doctrine, but with greater importance stressed on brevity in execution. Fast, deliberate movements are the essence of the style, with emphasis placed on attacking the tendons and joints in order to cripple one's opponent. None of the moves are performed in an underhanded way however, and the practitioner is instructed to adhere to the code of Bushidai-ou at all times. Genjutsu is also included as part of Aozora-no-Ryu, dealing largely with the projection of the fire element through one's weapon.

Tsukamutedo

Tsukamutedo is a grappling art, generally performed with a weapon in one hand, the other empty. It emphasizes sudden hip-tosses as well as avoiding weaponry in order to come within range and disarm one's opponent.

 

 
© of Mark P. Tjan 1992-2004 | Artwork © of Original Artist